While I was initially drawn by the amount of color and vibrancy in your paintings, ultimately I'm noticing that those I find the most interesting of all are the ones with a more limited palette. (Not that the others don't stand out for themselves, obviously). Something about the subtlety of colors contrasted with bold, expressive knife-strokes really speaks to me. I always want to touch your paintings, or at least get my nose next to them so I can see how the strokes are constructed.

That water at the bottom of the falls, while it has a lot of white in it, is still richly colored and manages to somehow convey that there may be some depth there. This is where my eye tends to come back to, aside from the bits of light along the trunk of the nearest tree.

While I love the palette, this one seems to be a little flatter somehow than a lot of your other pieces, lightwise and depthwise... It may just be that I'm used to seeing a lot of reflected lights and dappled sidewalks in your paintings. After looking at this for a minute though, it might have more to do with the dark line right in the middle that somewhat cuts off the eye than anything else. It's more a matter of personal preference anyways, and I can hardly say that I dislike the piece because of it.